The screen everyone declared dead is the one everyone is building
Marketing veteran Shubhranshu Singh writes that connected TV and FAST channels are not replacing television but reviving its core habits—shared, scheduled, advertiser-funded viewing
by
Published: May 18, 2026 8:15 PM | 7 min read
- The Indian media landscape is undergoing a transformation as connected television and free ad-supported streaming channels (FAST) gain popularity, blending traditional television viewing habits with modern delivery methods.
- The Telecom Regulatory Authority of India (TRAI) is currently consulting on the implications of application-based linear television distribution, highlighting confusion in regulatory frameworks regarding the evolving media consumption landscape.
- Despite the industry's historical view of television as obsolete, many streaming platforms are adopting traditional television characteristics, such as scheduled programming and advertising-supported models, indicating a convergence of viewing behaviors.
- The rise of connected television in India is redefining audience experiences, as households increasingly engage with content on large screens, emphasizing the importance of shared viewing moments and the need for the industry to adapt its regulatory and advertising strategies accordingly.
As connected television expands and FAST channels multiply, the industry is quietly reconstructing everything it once dismissed as obsolete.
Walk into any middle-class home in India on a weeknight. The television set is on. It may be carrying cricket, a family drama, a devotional channel or a loud news debate generating more heat than light. Increasingly, though, it is also carrying YouTube or a streaming platform or a free, ad-supported scheduled stream that looks exactly like television, behaves exactly like television and is watched exactly like television.
The only thing missing is the satellite dish or set top box.
The screen remains the same. The household ritual remains the same. The family still gathers in the same room at the same hour. Only the method of delivery has changed.
This is the central fact India’s media industry, its regulators, advertisers and platform executives still struggle to fully absorb. A technical consultation currently underway at TRAI (Telecom Regulatory Authority of India) over something called Application-based Linear Television Distribution has merely exposed the confusion. The confusion itself runs much deeper.
For years, the industry has organised its thinking around a rigid binary state. Everyone bought in to the seduction. Television belonged to the past. Streaming belonged to the future.
Linear viewing was treated as legacy behaviour. On-demand consumption represented modernity. The platforms that confidently announced the death of television eventually built businesses dependent on the very habits television created. These were passive viewing, recurring appointment consumption, advertiser-funded economics and professionally programmed narrative flow.
Michael Wolff identified this contradiction as early as 2015 for the US where cord cutting was a tornado in the TV industry.
A decade later, the contradiction has become impossible to ignore. The infrastructure evolved. The underlying product barely did.
YouTube viewed on a connected television increasingly functions like television. Algorithms now assemble endless streams of programming that audiences consume passively, often without deliberate selection. FAST channels, free, ad-supported, scheduled, simultaneous, reproduce the commercial and cultural logic of broadcasting almost entirely, even if they arrive through broadband instead of satellite. Subscription platforms that once positioned themselves against television have quietly adopted many of its defining characteristics be it scheduled premieres, live sports, appointment viewing, advertising-supported tiers and more.
The obituary arrived long before the funeral.
India exposes this reality more clearly than Western markets ever could. In the United States and Europe, streaming depended on broadband access, subscription behaviour,l and credit-card penetration. India travelled along a different route. The smartphone became the first television screen for millions. Free, vernacular, advertiser-funded programming distributed at scale has defined Indian digital media for years. What global media discourse now labels FAST has existed in India under different forms for a long time as DD Free Dish, free-to-air cable ecosystems, YouTube streamed on low-cost Android devices.
The form remained recognisably television throughout.
The economics remained recognisably television throughout.
The audience relationship remained recognisably television throughout.
Only the regulatory vocabulary struggled to keep pace.
Connected television does not represent a break from television. It represents television’s largest expansion since colour broadcasting. The audiences now entering FAST ecosystems and ad-supported streaming environments are often not cord-cutters at all. Many never possessed a cable or satellite connection in the first place. They are first-generation large screen audiences arriving through internet infrastructure rather than traditional broadcast distribution.
That transition is accelerating rapidly. Smart televisions, streaming sticks, and affordable large-format screens are spreading through Tier 2 and Tier 3 India at a pace that will make today’s connected TV universe appear modest within a few years. The living room screen is reclaiming centrality in Indian media life. It is larger, cheaper, internet-connected and perfectly suited to scheduled, free, advertiser-funded viewing.
The industry already occupies this moment. The unanswered question is whether it understands the scale of what is happening around it.
TRAI’s consultation has surfaced a genuine tension. One side argues that internet-delivered linear channels are application layer services, software operating over the open internet and therefore distinct from broadcasting obligations.
The opposing view argues that regulation should follow consumer experience rather than delivery infrastructure. If audiences experience something as television, scheduled, simultaneous, communal, then television principles should continue to apply regardless of the pipe carrying the signal.
The second argument carries greater intellectual coherence, even when driven partly by competitive concerns.
Allowing technology alone to determine regulatory identity creates frameworks that age badly the moment infrastructure evolves.
Audiences do not consume pipes.
They consume programming.
They respond to the ritual of simultaneity
They are part of the experience of millions watching the same thing at the same time.
That quality remains broadcasting’s deepest commercial strength.
Live cricket watched simultaneously on a connected television still commands premium advertising because simultaneity creates emotional concentration at scale. A breaking news event unfolding across millions of households still generates advertising value that clipped on-demand fragments cannot reproduce later. The shared moment continues to matter because collective attention itself remains economically scarce.
Broadband delivery changes none of that.
Three quiet errors have accumulated in the Indian market. Connected television is about to make each of them far more expensive.
First, Regulators have spent years fighting a pipe war while consumer behaviour migrated into a post-pipe environment. Many existing frameworks emerged from an era defined by spectrum scarcity and physical carriage constraints. FAST operates in a world of abundance. Applying yesterday’s architecture to today’s distribution produces highly detailed debates around increasingly irrelevant distinctions. The more important principle, that audience obligations should follow audience experience rather than delivery technology, has appeared intermittently in the conversation without becoming its organising logic.
Second, Advertisers have also preserved an artificial separation between television budgets and digital budgets long after audiences stopped recognising such boundaries. A scheduled FAST channel playing on a sixty-five-inch connected television in a Lucknow household delivers an attention environment remarkably similar to conventional television. Yet it often sits inside digital buying frameworks, traded through digital CPMs and judged through digital metrics. The audience behaviour is converging far faster than the categories used to monetise it. That pricing gap will narrow. In some markets, it already is.
The buyers who recognise this transition early will gain structural advantage over those waiting for industry consensus.
Thirdly, platforms themselves have contributed to the confusion by treating ad-supported linear viewing as an inferior form of the medium. For years, subscription video-on-demand positioned itself as the sophisticated future while free, scheduled programming was treated almost apologetically, as though mass behaviour required justification.
In India, that assumption has always misunderstood the market. The country’s largest screen opportunity remains free, vernacular, scheduled, advertiser-funded entertainment consumed collectively inside households.
That is not the fallback model. It is the dominant one.
This is about to receive a substantial hardware upgrade as connected television penetrates homes that cable and satellite networks never fully reached.
The industry spent years announcing the death of the very behaviours now driving its next phase of growth.
Appointment viewing persists.
Shared moments persist.
The lean-back relationship between households and their primary screen persists.
Families still return night after night to familiar programming rhythms. The difference lies in distribution infrastructure. The audience instinct is the same.
The companies that stop treating streaming and linear television as opposing systems and begin understanding them as variations of the same consumer behaviour delivered through evolving networks, will build the next phase of Indian media on far firmer foundations.
The companies still arguing over whether a FAST channel qualifies as broadcasting or software may eventually discover that the audience resolved the question long ago. The viewer has already entered the living room, picked up the remote, selected the channel and settled into the experience without the slightest concern for the underlying pipe.
Television never disappeared.
It simply moved to a new address.
Disclaimer: The views expressed here are solely those of the author and do not in any way represent the views of exchange4media.com.
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