'Agencies will now have to be business-first and not just digital-first’

Vinod Thadani, Chief Digital Officer of Mindshare, talks about his journey at the agency, the digital transformation that is taking place in India, and more

e4m by Javed Farooqui & Naziya Alvi Rahman
Published: Dec 22, 2020 8:56 AM  | 14 min read
vinod thadani

Media agency Mindshare has been an early believer in the power of digital. Realizing the impact that digital would have on the media industry, the agency roped in Vinod Thadani as its Chief Digital Officer in 2014. To scale up its digital practice, the agency has been making significant investments in product, talent, technology, and training.

Six years on, digital has overtaken print to become the second biggest category, after television, in terms of attracting AdEx. The exponential growth in gross ad billing of tech giants Google and Facebook is a testimony to the fact.

exchange4media caught up with Thadani to talk about his journey at Mindshare, the digital transformation that is taking place in India, and how are agencies and brands rising to the digital challenge.

According to Thadani, clients are seeing media agencies as partners in their e-commerce journey from platform building to performance marketing. He also said that digital is both, core to business as well as innovation-led growth for Mindshare. Thadani believes that agencies will now have to be “business-first” and not just “digital-first” in their approach.

Edited excerpts:

It's been over six years since you joined Mindshare as CDO? How do you look back at the journey?

When I look back at 2014 when I joined Mindshare, the agenda was a total refresh & transformation of the digital product, business, process, and team. From the point when digital was getting to its tipping point of becoming potentially mainstream to 2020 where it has truly become mainstream finally, the entire journey has been immensely fulfilling and enriching. Every media, when matures, has its own set of redefined milestones and workstreams. From being an evangelist & a passionate propagator of digital, I have personally matured into a person with a more strategic mindset focused on constantly raising the bar.

I feel the digital media and I have evolved together, and the story continues towards a new path.

 

Six years back, digital was not as big as it is now. How do you see the digital transformation that has taken place in India in these six years?

When you turn the pages of history or if you have ever watched Mad Men, you know that every shift in the advertising business comes with its challenges, but will meet with its eventuality. Digital media too went through the stage of speculation of being a new-age media to an inseparable part of the marketing process today. The transformation, once you begin to analyse closely, was mainly possible because of consumer adoption. If you and I as consumers did not catch on to the internet revolution, the mobile phone wave, and the power of access at your fingertips, marketing would not have played along. I would say the Indian digital advertising industry developed slower than consumers and sometimes played the catch-up game. But the more you start to put the consumer at the center of the process, transformation becomes easier and almost intuitive.

2020 accelerated the pace of change and the acceptance of digital was adopted tremendously, thereby making it the single most important media channel today. I have been honoured to have personally witnessed and been an integral part of this transformation story across so many large advertisers in Mindshare. As this decade sees its end, I see a new beginning for digital altogether. The next decade will be about being better, and being great, not just good, and at Mindshare, we have been preparing ourselves to be future-ready. It is our responsibility, as the largest agency in India, to shape the future for this exciting and ever-changing media channel.

 

How are media agencies and marketers adapting themselves to the new normal under digital?

Agility & collaboration have been the core and crux of the new normal, as things changed every month.

  • Agencies & brands have responded with the highest agility to adapt & iterate based on changing market conditions

  • Collaborating to work as one team in these testing times/conditions has defined success & failure

  • Thrust on digital transformation is a big priority across the board. It is no longer just a buzz word, but we see automation and digitization across sectors and functions

  • Disruption is the norm in digital and the cycle of new discovery/adapting is a constant for any digital marketer. Just that this year, the pace of disruption has been on a higher scale with a lower time to reorient and adapt and those who have kept pace are today seeing the result of agility

From an agency’s perspective, in the marketing & advertising (M&A) ecosystem, the place of an agency continues to be in the sweet spot where logic and magic comes together, where art and data of the craft collide. 

  • Medium agnostic planning and buying will no more be the only key focus for agencies, but there are other areas that have emerged in the last few years. Clients are seeing media agencies as partners in their e-commerce journey from platform building to performance marketing

  • Simplification of data and tech trends to actual marketing application will be needed. Agencies will have to evaluate the relevance and proof of concepts before rolling it out at a scale to drive business outcomes for clients. With the new age developments in AdTech and MarTech, agencies are exposed to a plethora of options available in the marketplace, but articulating it to “what does this mean for (client’s) business” is a skill in its own

  • Ensuring transparency and accountability and making it a safe place to business for the clients. Pre-empting risks and frauds possible within the current setup. Protecting marketers from misuse of data or ad fraud. The agency has to safeguard advertiser’s best interests and command a clean business practice, with all the current 3rd party tools and tech available

  • With a massive change in the way entertainment is being consumed, media agencies, that have the pulse of the industry, are also having a stronger role in content creation & amplifications on digital platforms

  • With the advancement in attribution techniques and the way consumer buying behaviour has changed over the last few year, especially 9-10 months or so, everything we do in marketing now is performance marketing

 

Being an early adapter, where does Mindshare stand as far as the digital media practice is concerned?

Being an early adapter also means that we are constantly learning and exploring new and better ways of working and delivering solutions that drive brand and business growth. We also work closely with media and technology partners, and making digital marketing an essential skill across our business units is very much a part of our culture. It has always been a connected world of platforms, where it is platform first, audience first & privacy first. In fact, as an agency, we play a bigger role in various aspects of a client’s business besides media planning & buying. We have been business first and not just digital first in our approach.

Upskilling talent is the topmost priority because COVID-19 has taught people digital transformation, developing foresight for what consumer behaviour shifts will remain vs. which will revert to a back-to-normal state. We have a perfect opportunity to drive behaviour change, for good in these times. We are industry leading in terms of numbers. But more importantly, we lead and guide the industry in qualitative aspects also (like BAV, etc.) to define value for our clients and industry stakeholders as a whole.

 

What differentiates digital media planning from traditional media planning?

Fundamentals of planning remain the same (be it digital or other media), the change is in terms of outcomes we chase, be it brand or demand. Digital has added the dimension of real-time data and measurement loops which enables seamless optimization. We need to acknowledge that unlike traditional media, digital is a 360-channel ecosystem in itself. There is a fragmentation of platforms like search, social, video, display, e-commerce - each with its own user experience and ability to nudge consumers deeper into the marketing funnel.

This fragmentation comes with its own unique set of complexities.

  • Now, unlike linear TV or print, consumers experience various platforms or channels within digital very differently and even the mechanism of advertising is platform-dictated. For example, a 30-sec TVC across TV channels is and can be delivered in the same manner. On digital, however, the ads have to be tailored to deliver the key message most effectively on YouTube and Facebook

  • It is a closed-loop system wherein we just do not plan upfront but keep optimizing/modifying plans in line with defined media or business outcomes/KPIs set by clients

  • Nature of buy – traditional fixed cost buying to platform-led biddable media buys

  • Metrics differ – there are so many numbers and metrics. There is a lack of standardization

  • No single source of measurement or industry-wide unified norm to calculate campaign level reach

  • Walled gardens further add to this complexity of a single view of consumer and ad effectiveness

 

E-commerce is becoming a part of people's daily lives. How important is it for marketers and agencies for reaching out to consumers?

Comms/commerce/content is key for connecting with consumers. E-commerce is becoming a high impact growth stream, with India turning the corner from early adoption to massification. This is driven primarily by the growing internet user base, rising wallet share of digital natives, and cheap & ubiquitous data plans. Consumer activation was always there, just that it is more action & demand-oriented media planning & buys and communication. It has grown from small single digits to almost double-digit share for brands. Every brand is trying to increase share in marketplaces, share their overall e-commerce component & possibilities to open D2C channel.


How important is performance marketing in the overall digital marketing ecosystem?

With the advancement in attribution techniques and the way consumer buying behaviour has changed over the last six months or so, everything we do in marketing now is performance marketing. The line between brand campaigns and performance campaigns is diminishing. The pandemic for sure has not only brought the scale in terms of more people buying goods and services online but has also opened more options for consumers now than they ever had. With more buying options, the brand loyalty advantage is at stake and the challenge of customer retention has become much tougher for marketers than earlier. This essentially means that the product, UX, brand, marketing, data, strategy, and performance teams are no more a disjointed unit and are working very closely to both acquire and retain customers.

For a lot of businesses like consumer tech and online services, where their outcome metrics are realized online, for example, online sales, downloads, MAUs, subscriptions, performance marketing takes up more than 90% of their advertising and marketing efforts.

To sum it up, everyone even remotely associated with marketing has to transform into a performance marketer.

 

Many experts believe that pandemic and the resultant disruption in the economy has been a blessing in disguise for digital? Do you share that view and why?

I agree, there are no more fence-sitters. Now, there is no more ‘why’ since it is all about ‘what’ am I going to do in digital, ‘how’ & ‘when’...with great urgency.

This is happening at two levels:

Brands are venturing into newer product lines that they would not have thought of earlier. For example, alcobev & fragrance companies venturing into the hand sanitizer line or fashion brands making face masks, and so on. There is a disproportionate focus on digital marketing in every sector, be it FMCG, retail, or any other category. Marketing strategies are being relooked at and talent transformation has become the key agenda for every marketer. As far as agencies are concerned, I would rather say there are more advantages than challenges in this new normal. The biggest advantage is having access to a talent pool across the globe since the new normal is all about being location agnostic.

The second advantage is the fact that media agencies will play a bigger role in various aspects of a client’s business besides media planning & buying. Agencies will now have to be “business first” and not just “digital first” in their approach. Upskilling talent should be the topmost priority because COVID 19 has taught people about digital transformation, developing foresight for what consumer behaviour shifts will remain vs. which will revert to a ‘back to normal’ state. The marketing, media and advertising industry has a perfect opportunity to drive behaviour change – for good in these times.

 

FMCG, which is the biggest advertising category, has been considered a fence-sitter as far as digital is concerned? Have FMCG players joined the digital bandwagon in 2020 in a big way?

Yes, and they are aggressively leading the charge to make up for lost years. Now most of the cutting-edge work in content/commerce will be from our FMCG clients. The question most FMCG brands are asking is not ‘why’ digital, but ‘how’ to master their marketing game on digital. Strong evidence and proof points exist regarding the effectiveness of digital platforms and ad exposures to impact brand metrics and even influence offline sales. We also know of some FMCG brands that are digital-first advertisers where digital takes a disproportionate share of their media investments. Many FMCG advertisers are also exploring D2C as an extended trade channel and driving that with performance marketing.

 

How big is the SME opportunity on digital? Do you see them as the future growth drivers of digital advertising?

Digital by design capitalizes on longtail- be it in terms of demand or supply. SMEs in fact make up a disproportionate percentage of Google and Facebook’s advertising revenue! We even have independent entrepreneurs and home business owners leveraging digital platforms to scale their business and gain a wider consumer base for their products.

 

Can you list the top 5 or 10 key digital trends in 2020? 

  • Consumer tech as the new FMCG: It is an app world! When you think mobile, think app; when you think mobile marketing, think app inventory

  • Hyper-local is the new business model of the new normal: Hyper-local physical availability calls for geo-fencing and data powered micro-marketing. Consumer goods businesses warrant a grocery.com channel strategy

  • Conversational commerce: The ubiquitous ‘Shop Now’ button and cold emails have a 1% open rate while private messages have a 92% open rate. Make user engagement on messaging apps a lucrative channel to build relationships with your audiences

  • The AI of Everything

AI to enable a return to contextual targeting

AI to provide new opportunities to find meaningful consumer segments, beyond the cookie

Brands will explore the use of AI in creativity

AI to revolutionize communications planning, especially in low involvement categories

  • Voice & visual search: The next frontier: Design comms CTA around voice or visual search to enable interested consumers gain access to more information. Get ready to move from SEO toward SCO (Search ‘Channel’ Optimization)

  • Audio is the new black - As per a consumer survey by IFPI, the average time spent by an average Indian internet user on listening to music is 21.5 hours per week. It is 21% higher than the global average time of 17.8 hours per week. Design assets for a screen-less interaction. ‘Voice’ command is a natural response to an ‘Audio’ stimulus

  • Micro-content and ephemeral stories - Keep it simple short, silly! Establish a brand and key message within the first frame. Consistent branding

  • Data privacy & the imminent death of the cookie - Data wells likely to dry up, fast! Your 1pd data strategy requires future-proofing, now!

 

Will digital surpass 2019's ad numbers? What kind of growth do you expect in 2020?

According to industry reports for 2020, this was the year where we forecasted digital will overtake print to take up the second place after TV in terms of ad spending. The consumer shift in behaviour in the new normal has only accelerated this trend, and perhaps digital gained its position even faster than what was predicted.

 

How important is digital for a media agency from a topline and bottom-line point of view?

I do not think any media agency can ignore or downplay its importance, unless they have been living under a rock! Digital is ubiquitous among consumers and so it is important for marketers and agencies as a channel to connect with consumers. For us, digital is both, core to business as well as innovation-led growth. We have been making consistent and significant investments in terms of product, talent, technology, and training over the last decade. Our streak of winning and managing the digital mandate of 150+ clients is a testimony of that.

 

 

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Integral Ad Science launches verification programme for Netflix

This will ensure that ad campaigns on Netflix are free of fraud, and are seen by actual viewers

By exchange4media Staff | Mar 22, 2023 8:37 AM   |   1 min read

Netflix

Integral Ad Science has launched Viewability and Invalid Traffic verification for Netflix. It will benefit those who have subscribed to the streaming platform's ad-supported plan.

The tool will ensure that ad campaigns on Netflix will be free of fraud, and are seen by actual viewers.  

The verification programme has gone live in 12 countries and across connected TV, computer and mobile platforms. 

This is part of Netflix’s agreement with IAS, which was announced in 2022.

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Amazon Prime Video & Jio front runners in race to host HBO content?

The agreement between Warner Bros Discovery and Disney+ Hotstar is believed to have come to an end as the former asked for an exorbitant fee of Rs 80 crore per year for HBO shows, say sources

By exchange4media Staff | Mar 22, 2023 8:27 AM   |   2 min read

HBO

Ever since Disney+ Hotstar decided not to renew its licencing agreement with Warner Bros Discovery, the latter has been looking for a home for HBO content. According to sources in the industry, HBO has been in talks with several OTT platforms in India. However, Jio Cinema and Amazon Prime Video are believed to be the front runners in the race.

"Initially, the content team of HBO was in talks with several OTT platforms, including Netflix, SonyLiv, Amazon Prime Video and Jio Cinema. But it is believed that Jio Cinema and Amazon Prime Video are ahead in the race. Whoever offers the best price, will seal the deal,” said a source close to the development. 

exchange4media reached out to HBO, Amazon Prime Video and Jio Cinema for an official comment, but is yet to receive a response.

It's important to note that Warner Bros. Discovery collaborated with Amazon Prime Video last year to offer a slate of 11 popular HBO Max Original series and 10 HBO Max original features exclusively for Prime members in India.

Disney+ Hotstar announced the end of its association with HBO through a tweet last week. “Starting 31st March, HBO content will be unavailable on Disney+Hotstar. You can continue enjoying Disney+ Hotstar’s vast library of content spanning over 100,000 hours of TV shows and movies in 10 languages and coverage of major global sporting events,” it stated.

As previously reported by exchange4media, the agreement between Disney+ Hotstar and Warner Bros Discovery got over after HBO demanded a fee of Rs 80 crore per year for its shows, say sources.

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India would be a great place for an offline experience: Ryan Latham, Nothing

The Global Director - Brand and Creative of consumer tech company Nothing spoke to e4m on the brand’s design and marketing philosophy, its brick-and-mortar plans in a digital future, and more

By Shantanu David | Mar 22, 2023 8:45 AM   |   5 min read

Ryan

In a market and media-sphere where so many people so often talk about nothing, Nothing aims to start a whole new conversation. The London-based consumer technology company, backed by heavy hitters like GV (Google Ventures) and EQT Ventures, has created a tremendous amount of buzz in the industry, despite being barely two years old and having launched a soupcon of products.

With its striking minimalist visuals, unique imagery featuring exquisitely shot insects interacting with its devices, and reportedly superior performance and ergonomic capabilities, Nothing has become a focus brand for tech nerds and aesthetes alike.

With its Ear (2) set to be launched today (March 22), e4m spoke to Ryan Latham, Global Director, Brand and Creative, Nothing, during his India visit, about the brand’s design and marketing philosophy, the importance of the Indian market, and its brick-and-mortar plans in a digital future.

“It's great to be in the market to come and visit. We have this set-up where the teams from India travel to London, and we come here as well because you have to be in the market to experience it and to make sure you're tailoring your products to that consumer base,” says Latham, about his maiden India tour with Nothing.

“Besides expanding the market in Saudi Arabia, we are focusing on the Indian market. Also, we're European headquartered, so we've got key partnerships with the network operators and retailers across the UK, Germany, Spain and some of the core European markets. And we've also opened our very first store right in the heart of London's cultural scene,” he says.

Speaking about the Soho store, the company’s first brick-and-mortar store, Latham says that, somewhat paradoxically, the minimalist tech company has always wanted a physical storefront. “We also thought, as a new brand, with a technology product and a design-led product, opting for the more personalized experience helped us in standing out in the clutter of the tech market. We really believe in the community around ‘Nothing’.  Unlike other brands, we chose a small format store instead of investing on to the big Oxford Street.”

This has led the company to assume a design which is quite compact, where it can experiment and learn about how to interact with its customer base and figure out the permutations of creating a fun retail experience. It plans to open more stores in key markets. Is India one of them?

“Nothing is confirmed, nothing is fixed right now in the calendar. But in terms of our thought process, we believe that India would be a great place for an offline experience,” answers Latham, perhaps inadvertently confirming Nothing is fixed in the calendar.

Puns aside, Latham asserts that Nothing is really well positioned because it has that design aesthetic, but it's also a really excellent kind of value product as well. “You're getting a lot for your needs and for your money, from a design point of view. Also, we have a high investment in our OS. We've just launched our Android 13 and we continue to update the product on a really regular basis, having done eight updates since launch. Also, we’ve had feedback from the market and from our customers in India that they've actually found that the phone one is getting better the more they use it.”

Speaking about figuring out the bugs of the system, this conversation would mean nothing (yes, the puns write themselves) without going into the idea of using animal imagery, especially the insect kind, in its visual advertising.

Latham says, “What we're trying is to bring the product to life with some warmth and some personality. Our design ethos is about joyful interactions and designing with our instincts, not just following kind of rulebooks and lots of data. We want to design products that make us feel something. The founding idea of the insects and the animals was bringing technical warmth to the products, bringing them alive. And these insects use instincts to explore. So when you see a beetle interacting with our Ear (2) products, you see it exploring it and trying to find out what it is using its very basic instinct.”

“And we use different characters for different products because they have different, maybe different meanings. With the current product that we're launching, the animal in the creative is an ox beetle. And this ox beetle is a very small, very powerful, and very technical creature; if you look at it, it looks very engineered, very purposeful,” he says.

“And with the Ear (2), the engineering teams have spent a lot of time making the product more compact, but also increasing the performance massively. So, we've got this very small, very strong, very powerful product. And the animal that's interacting with it in some ways mirrors it,” he adds, concluding, “Also, let's not be too pretentious about it, it's also just super fun: a very fun way to demonstrate, to show off the product.”

It’s nothing, really.

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Surinder Films acquires Bengali OTT platform Addatimes

The first web series after acquisition to be streamed on Addatimes will be Amriter Sandhane - The Banaras Chapter

By exchange4media Staff | Mar 21, 2023 3:45 PM   |   2 min read

ott

Kolkata headquartered film production company, Surinder Films, has acquired Addatimes, the first Bengali on-demand OTT Platform of the country

“We have been in the business of Bengali film production, distribution and content creation for both regional & national channels. In today’s context we found that the OTT Platforms have immense growth potential and it is the right time to invest on it. Thus, we decided to acquire Addatimes, the first Bengali and one of the well-known OTT platforms. Here, we would be creating, as well as acquiring content of varied genres keeping in mind the audience interest. We already have an interesting line up of big-ticket Bengali Movies & a host of Web Series’ which we would start streaming soon. We look forward to a creatively exciting journey ahead”, said Nispal Singh, Director, Surinder Films Pvt Ltd.

The first web series after acquisition to be streamed on Addatimes will be Amriter Sandhane - The Banaras Chapter, from14th April, 2023, celebrating the occasion of Poila Boishak (Bengali New Year). This 8-episode series is a mythological thriller set in the holy city of Varanasi. The star cast of Amriter Sandhane - The Banaras Chapter includes Chandan Roy Sanyal, Sauraseni Maitra & Debasish Mondal amongst others and it is directed by Abhinandan Dutta. Following this there will be a rib-tickling series, Gentlemen, starring Joy Sengupta, Mir Afsar Ali, Rudranil Ghosh & Madhurima Basak in the lead, which is directed by Korak Murmu. Gentlemen will be steaming from May, 2023.

 

This apart, Addatimes would also digitally premiere some mega feature films like Kaberi Antardhan (on 26th March, 2023) followed by Mitin Mashi, SagardwipeyJawker Dhan & Magic and many more in the coming months. New films like Love Marriage, Bhootpori, Ardhangini, Paakhi, Tarakar Mrityu & Tenida will be digitally premiered in Addatimes post their theatrical releases.

 

“We plan to release between 15 -18 original contents a year, to begin with. As far as the films are concerned, there will be more than one release per month," added Singh.

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Class has no ‘class’

Guest Column: Markand Adhikari, Chairman & MD of SABGROUP, writes that the new trend of nudity and obscenity in OTT is harming society and putting freedom of expression in danger

By Markand Adhikari | Mar 21, 2023 2:30 PM   |   4 min read

Markand Adhikari

Today, I wished to share something with the readers about a new trend in the media/entertainment sector, but let me first confess I feel ashamed and embarrassed to write this as I also come from this fraternity. The trend I am referring to is the kind of content that has excessive vulgarity, nudity and obscenity.

When some of my friends told me about this, I was not ready to believe that the content dished out on a platform, for public consumption, could have fallen to this level. But they insisted and urged me to raise my voice against it. So, I decided to check it out myself. I came across a web series titled ‘Class’ and another called ‘Rana Naidu’, both on a premium OTT platform. I mustered enough willpower but I am sorry to report that I could not watch more than two episodes of each of them.

On TV and the big screen, the content is meant for entertainment. This content did not entertain me; it shocked me, it disturbed me.

When people complain of such excesses, some makers argue that they are merely showing a mirror to society. I beg to differ. What is shown in ‘Class’ and ‘Rana Naidu’ is not the true picture of our culture and society. Is each and every student of an elite school in big cities a drug addict? Is every boy or girl in such high-profile schools indulging in pervert sexual acts? If that were the case, I am sure at least some of the parents would have raised their voices and stopped sending their children to such schools. But that is not the case.

What such content does is not reflect social reality but actually the opposite – instigate our youth and society to go down this path by giving them ideas. Do we want today’s youth to take that path and create a generation of drug peddlers, sex maniacs and criminals? Or do we want to see them as doctors, administrators, scientists, thinkers and leaders of the future?

Don’t get me wrong. I am not advocating strict censorship. I believe I am very liberal-minded and have been a strong advocate of the freedom of expression. But crossing the limits of what can be said and what can be shown on the screen is a shameless and blatant violation of the Freedom of Expression. The premium platform where ‘Class’ and ‘Rana Naidu’ is streaming is abusing the right to free expression.

Let us agree that nudity, vulgarity and obscenity cannot be sold in the name of fundamental rights. If you think so, then why stop at ‘Class’ and ban outright pornography? That too should be ok. If so, is it the case that some porn producers and peddlers have been prosecuted because their platform is not as big?

Let me reiterate that the issue here is nudity and not fundamental rights. Those who defend this vulgarity in the name of rights are actually destroying our social fabric and harming our culture. Selling obscene content in the name of freedom of expression is actually putting this freedom and this right in danger. They are forcing the authorities to consider censorship of OTT content. Then, we as an industry will have no argument against the government. In other words, these “advocates” of freedom of expression will be responsible for the censorship of OTT content, and we will be responsible for digging our own graves.

Alarm bells are ringing. I strongly believe we should wake up and put a stop to this trend. Enough is indeed enough.

Markand Adhikari is Chairman and Managing Director of SAB Network.

(The views expressed here are solely those of the authors and do not in any way represent the views of exchange4media.com)

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NCLAT reserves judgment in Google case

The tribunal has been hearing this case since February 15

By exchange4media Staff | Mar 21, 2023 11:43 AM   |   1 min read

google

The National Company Law Appellate Tribunal (NCLAT) has reserved its judgment in the Google versus CCI case, say media reports.

The appellate body has been hearing this case since February 15.

Last week, the CCI informed NCLAT that the tech major was not a 'dominant' but 'super dominant' undertaking.

 

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Hoop Entertainment signs multi-show deal with Audible

Hoop Entertainment will produce 70 hours of original, multi-character, audio series content that will be exclusively distributed on Audible

By exchange4media Staff | Mar 21, 2023 11:32 AM   |   1 min read

Hoop

Audible, a creator and provider of premium audio storytelling, has signed an exclusive deal for 10-audio dramas with Nikhil Mirchandani’s Hoop Entertainment.

Hoop Entertainment will produce 70 hours of original, multi-character, audio series content, across mythology, drama, history, true crime and horror genres, creating a “theatre of the mind” experience that will be exclusively distributed on Audible.

The 10 new shows produced by Hoop will be available free for all listeners, exclusively on Audible.

Shailesh Sawlani, VP and Country Manager for India at Audible, said, "We are incredibly excited to collaborate with Hoop Entertainment to bring captivating content to all listeners for free on Audible. We are constantly seeking new and innovative ways to provide our listeners with best-in-class content, and Hoop Entertainment's expertise in producing audio dramas across a variety of genres perfectly aligns with our vision. We are confident our shared passion for storytelling will help us to continue to deliver an immersive experience for our listeners."

Nikhil Mirchandani, Founder, Hoop Entertainment, said, “We're thrilled at the opportunity to produce a multitude of audio series across genres for Audible. The stories, narrative, performances, and sound design will create a ‘theatre-of-the-mind’ experience. Audio is the next entertainment frontier, and our audiences are ready for complex storytelling and personalized audio experiences. We thank Audible for trusting & enabling us to explore this medium to the fullest.”

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