Hit or Miss: The week in ads
As the IPL 2026 season begins, here are a few ads that caught our eye this week
by
Published: Mar 28, 2026 10:00 AM | 4 min read
Indian advertising rarely plays it safe when summer, IPL, and celebrity culture collide. This week's crop of campaigns reflects exactly that energy: brands swinging between sharp humour, nostalgic sentiment, and category disruption to cut through a cluttered market. Flipkart leans into double-meaning wordplay and IPL fervour, Google Pixel builds aspirational tech appeal around Shubman Gill, and Škoda reaches deep into Bollywood memory to sell an SUV.
Meanwhile, The Sleep Company reframes rest as performance, and Captain Steel makes the invisible visible. Across categories and budgets, the common thread is clarity of insight. Each brand finds a single, memorable way to say something that sticks.
Flipkart - “Indian ghar mein only fans?”
Flipkart’s summer campaign uses a bold bait-and-switch narrative built around the loaded phrase “OnlyFans” to grab instant attention. The film sets up a suggestive, tension-filled family moment, only to flip the meaning into a literal one: ceiling fans that fail in peak summer heat, leading to the real solution: buying ACs and cooling appliances on Flipkart.
https://youtu.be/vIFqptnF9pM?si=4k9g1zVchR-DgRAF
Google Pixel - “Welcome to #TeamPixel, Shubman Gill”
Google Pixel’s latest campaign featuring Shubman Gill builds around a simple but evolving proposition: “Ask more of your phone.” The film places Gill in everyday scenarios where he keeps pushing his device to do more, showcasing AI-driven features like Gemini assistance, camera coaching, image generation and 100x zoom. Instead of dwelling on specs, the narrative mirrors real user behaviour, jumping across features fluidly, just like people do with smartphones today.
https://youtu.be/SkW0Yn0dFn8?si=1F-coGel5ZOFRczG
Flipkart - “Umpire For Sale”
Flipkart’s latest campaign cleverly turns cricket umpire Billy Bowden’s iconic hand signals into a shopping language, aligning with the high-engagement IPL season. Known for his theatrical gestures, Bowden becomes the perfect creative device to signal offers, discounts and deals, transforming match moments into branded communication cues.
https://youtu.be/ljxuRTsejlY?si=h7g-IqPKW1shOoWo
Ledure - “Vibe Check with the Vibologist”
Ledure Lightings’ new campaign featuring Ranbir Kapoor turns a typically low-interest category into entertainment-led storytelling by introducing him as a quirky character called the “Vibologist.” In the film, Kapoor diagnoses dull, poorly lit spaces as if they have a “vibe problem,” using humour and exaggerated scenarios to show how lighting impacts mood and atmosphere.
https://youtu.be/pOkMoZCuJ5A?si=8VHGut6G-UZlDRa-
Captain Steel - “Ghar Ki Asli Shakti”
Captain Steel’s new campaign featuring Sourav Ganguly tackles one of construction’s biggest blind spots: the invisibility of TMT rebars. The film draws a sharp parallel between cement and steel, simplifying a technical truth: while cement handles compressive strength, rebars carry tensile load. By turning this engineering logic into a relatable consumer insight, the campaign urges homebuilders to give steel the same importance as cement.
https://youtu.be/z8UgahpqNg8?si=qTRyxShIDHy5p5DY
The Sleep Company - “8 Hours Of Peaceful Sleep”
The Sleep Company’s “India vs Peaceful Sleep” campaign featuring MS Dhoni uses a clever tease-and-reveal around his iconic jersey number to shift attention from 7 to 8, symbolising 8 hours of quality sleep. The film reframes sleep as a performance tool rather than a passive habit, highlighting how people may spend hours in bed but still lack restful sleep due to discomfort and poor support.
Škoda - “Easy to love”
Škoda Auto India’s “Easy to Love” campaign for the new Kushaq, created with BBH India, leans heavily into Bollywood nostalgia to build emotional appeal in a crowded SUV market. Inspired by Dilwale Dulhania Le Jayenge, the film places everyday characters in urban settings who suddenly slip into dreamlike mustard-field sequences, framing the car as an object of instant, cinematic affection.
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