OTT and video advertising are part of every media plan today: Uday Sodhi
Sodhi, Business Head - Digital, Sony Pictures Networks India, talks about the various facets of SonyLiv, partnerships on live TV, growth & revenue strategy and more

Uday Sodhi, Business Head - Digital, Sony Pictures Networks India, is upbeat about “reaching a big milestone” for the company’s digital streaming platform, SonyLiv.
“We are among the first to reach the 100 million download mark on Google PlayStore. That’s a big milestone for us. And after Hotstar, among the broadcast players, we are the only other brand that has reached that milestone. That is validation of our strategy, the direction we have taken, the kind of content and the experience that we are able to present in the app,” says Sodhi, talking about SonyLiv, which is all set to unveil a strong line-up of content in the next few months.
While The Ashes, the West Indies tour of India and the 11th season of Kaun Banega Crorepati (KBC), besides a host of original and licensed shows make SonyLiv attractive to advertisers and viewers, Sodhi points out that the OTT industry itself is now large enough, and “mainstream” with about 300-350 million users, and hence a natural part of every media plan.
Sodhi talks about various facets of SonyLiv and the OTT industry at large. Excerpts:
On content, the biggest bet
We make sure that we address a large audience with content across genres and consumer preferences. At the top end, we have premium Hindi content, and the best of international content in English. And then sports – be it basketball, WWE, football or cricket. Almost 70 million people had watched the FIFA World Cup on our app. We were among FIFA’s top partners worldwide in terms of consumption in India.
We also have a huge movie library, and a large show library in Hindi because of our Television channels. We are now creating our own pipeline of originals across three languages - Hindi, Tamil and Telugu. Then we have multiple partnerships to create content jointly, build content libraries, and host the entire library in multiple languages. Given that we have an audience of 70-80 million active users monthly, we have become a great platform for independent content developers to partner and make their content available to a large customer base. We are partnering with the likes of TVF and Arre for content development, independent of what we do on Television and in movies.
We are now making the popular Crime Patrol original for digital in Tamil and Telugu, with stories from those markets. Victoria, Good Doctor Season 2 are award-winning shows. Poldark is a fantastic show. Power is very big too, and we are coming out with Season 6, which will be released more or less on the same day and date as in the US. Into The Dark is a big show. Some other big shows are LA’s Finest, Britannia and Riviera. So we have big scale content, coming from the best content producers worldwide. It’s the power of story-telling that makes consumers love what they see.
Our new show Gullak, for example, is a beautiful story told in the right way. It didn’t need stars; it needed good actors, good artistes, and good story-telling in the right environment. It needed to be done authentically. There are stories when you need to put the stars out there, but the OTT environment clearly shows that you really don’t need stars for every show, and you can get away with good and authentic story-telling. We will surely look at period dramas, because there is traction for period dramas on SonyLiv.
We also will do some exciting stuff around KBC. Last year’s KBC was very exciting for us because we did ‘play along’ - sit at home and play the game with Amitabh Bachchan, which roped in a million-and-a-half people. Some of our experiments on sports, on play along, on real-time voting in Superdancer on TV, have been dramatic.
On launch of gaming platform
The gaming platform within the Sony Liv app has a lot to do with our shows. For example, simple content like Alladin and some of our kids’ shows, are very extendable to gaming. So is CID, our popular franchise. We are creating simple games around these. We are also looking at games around sports. The whole idea is to create additional interactivity and get more time spent on SonyLiv beyond video. Our target is a slightly younger age group. The TG will obviously overlap with the current SonyLiv TG, because we are using the same characters and the same content to reach out to the audience.
On cost of creating content and acquiring talent
Today, most of the content that we are creating is probably more expensive than Television content. Our investment on shows on a per hour basis is more than what we are putting into Television. So, the battle for content is obviously moving the needle on cost, but we realise that consumers need good content; we have to give them the best content available in the market. If that means investments to bring in the best talent and the best story-tellers, we will do that.
On traffic from Tier II, Tier III cities
The highest growth that we are seeing comes from non-metros – small towns beyond the top 5-6 cities. We reach may be 1000+ towns in the country. So, we have a long tail of consumption, obviously dependent on 4G and mobile signal availability.
On uptake for paid content
There is a large enough market today, and enough advertiser interest for OTT content. Almost every top brand is advertising on SonyLiv – all the big international brands, all the e-commerce brands. The last time we did a big event, it was the FIFA World Cup where we had almost 40 advertisers, all big names. In a 3-6 month period, we normally have 150-200 advertisers on SonyLiv. The advertising business is big enough to grow this business and for us to continue investing in it. We are excited about the growth on the subscription front too. We will see a balancing of monetization through subscription and through advertising over a period of time. Today we are seeing significant growth on the subscription side, while the advertising side remains robust. In fact, OTT advertising and video advertising are part of every media plan now. That is a huge change we have seen over the last 2 to 3 years.
On monetization of SonyLiv
Today, the numbers are big. The market is big enough. The opportunity is big for all of us. There is enough advertising and subscription happening, for us also. Our customer base is growing, and therefore our advertising and subscription numbers are growing, almost 2x-3x over the last year. So, there is significant traction on the monetization side. But this market has miles to go. If today it is at 300-350 million digital video users in India, this number is expected to go up to 600 million in the next 2-3 years. As a result, the entire pie will be much larger than it is today. As a leader in this business, we will see SonyLiv growing faster than most others.
On partnerships on live TV
People come to us for a lot of live sports. News is another big category where live is consumed a lot, and we don’t have a news channel in the Sony system. So, we have partnered with Hindi and English as well as language news services.
Now, we have 70-80 linear news channels, therefore it’s a full 360-degree service. We probably get about 7%-10% of our consumption from news.
On growth and revenue strategy
We are doing a lot of work on the language content side, and language for us is the big growth story. We will continue to build more and more content in Tamil and Telugu. Eventually, we will look at other languages also. From a predominantly Hindi-oriented content app, we are fast evolving to become multi-lingual. We are looking at partnerships with content developers, content creators or with people who own content in those languages, and how we can acquire some of it, plus create originals. There is a roadmap for going across languages. The other thing that we are doing is to build interactivity on our platform. The idea is, beyond video, can we look at other touch-points that can make our consumers spend more time and give us opportunities to monetize better.
On challenges at SonyLiv
Fundamentally, the challenge we all face is the issue of growth. We look at what new consumers are coming into the market, what are their consumption habits, what kind of content do they want, what is the shift in consumer behaviour, and therefore how do we address that demand. The demand is growing at a very fast pace, as the industry grows at 30%-40% year on year. We have to make sure that we are relevant to the user, providing the content that he/she needs. Also make sure that the experience on the app is good. We are currently running about 14 versions of the app, on Android, iOS, Fire Stick, Chromecast, Apple TV, connected TV apps and Xiaomi. Plus, you are looking at original content being created in multiple languages, and gaming and interactivity as a big part of what you are offering. This is a large shift, and it has a great future going forward in satisfying the consumer’s entertainment needs.
On international expansion plan
Internationally, we will go into more markets. UAE is the first market we have gone into. We want to offer the audience a subscription service in that market. So, let’s see what the feedback is and based on that, we will plan to enter more markets. We will do an Asia-based survey for the rest of South-east Asia, and then for Europe and the US. The idea is, wherever there are Indians, we should be able to offer them SonyLiv seamlessly.
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Hoop Entertainment signs multi-show deal with Audible
Hoop Entertainment will produce 70 hours of original, multi-character, audio series content that will be exclusively distributed on Audible
By exchange4media Staff | Mar 21, 2023 11:32 AM | 1 min read
Audible, a creator and provider of premium audio storytelling, has signed an exclusive deal for 10-audio dramas with Nikhil Mirchandani’s Hoop Entertainment.
Hoop Entertainment will produce 70 hours of original, multi-character, audio series content, across mythology, drama, history, true crime and horror genres, creating a “theatre of the mind” experience that will be exclusively distributed on Audible.
The 10 new shows produced by Hoop will be available free for all listeners, exclusively on Audible.
Shailesh Sawlani, VP and Country Manager for India at Audible, said, "We are incredibly excited to collaborate with Hoop Entertainment to bring captivating content to all listeners for free on Audible. We are constantly seeking new and innovative ways to provide our listeners with best-in-class content, and Hoop Entertainment's expertise in producing audio dramas across a variety of genres perfectly aligns with our vision. We are confident our shared passion for storytelling will help us to continue to deliver an immersive experience for our listeners."
Nikhil Mirchandani, Founder, Hoop Entertainment, said, “We're thrilled at the opportunity to produce a multitude of audio series across genres for Audible. The stories, narrative, performances, and sound design will create a ‘theatre-of-the-mind’ experience. Audio is the next entertainment frontier, and our audiences are ready for complex storytelling and personalized audio experiences. We thank Audible for trusting & enabling us to explore this medium to the fullest.”
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Amazon to ‘eliminate’ 9,000 more employees
The layoffs will be done in AWS, PXT, Advertising and Twitch, CEO Andy Jassy has said in a blog post
By exchange4media Staff | Mar 21, 2023 9:02 AM | 1 min read
Amazon CEO Andy Jassy has said that the company needs to eliminate about 9,000 more positions from AWS, PXT, Advertising and Twitch.
He made the announcement via a blog post.
The company has concluded its second phase of the operating plan, Jassy said.
"This was a difficult decision, but one that we think is best for the company long term," he wrote in the post.
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'Brands should adapt to the dynamic media landscape and GenZ's changing habits'
Aditi Mishra, CEO, Lodestar UM, and Kulanath Kaushik from the agency's strategy team discuss the ever-evolving media behaviour of the youth and what brands can make the most out of it
By exchange4media Staff | Mar 21, 2023 9:00 AM | 2 min read
e4m has collaborated with Lodestar UM, one of India’s leading media agencies and a part of the Mediabrands India network, to create “Generational Zeitgeist” – a six-part Podcast Series that peeks into the Indian Gen Zers’ mindset.
Based on multiple sources of learning including a three-part pan-India study with 1100+ GenZ respondents, Generational Zeitgeist covers a wide range of topics.
Each episode is a conversation between Aditi Mishra, CEO, Lodestar UM, and Kulanath Kaushik, one of the contributors to the study from Lodestar UM’s strategy team.
About the fourth episode
Aditi Mishra and Kulanath Kaushik discuss how has GenZ's media behaviour has changed over time.
“In today's digitally empowered media world, there is an endless choice of content and media, and the influx of influencers on social and video platforms has made it more democratic. Viewers have more power, and platforms like Discord and Patreon have harnessed the power of community,” said Mishra.
She added, “With so much content, choice, and engagement, time spent by GenZ audiences has increased. However, with this fragmentation, brands need to adapt to the dynamic media landscape and GenZ's changing habits.”
Technology has accelerated the speed of change, with innovative developments emerging every six months, such as the recent buzz around ChatGPT, Mishra opined.
The two discussed 'Growth of Modern Brands' amongst the GenZ and how it is important for Brands to 'Enable Experiences', to have 'Dynamism & Agility', be 'Authentic & Transparent' and get the Brand's 'Core Promise Right'.
“The GenZs value authenticity and purpose-driven brands that deliver on their core promise, enabling them to sail through tough times. Brands that are adaptable, agile, and keep pace with the dynamic and fast-moving GenZs can create a pull,” says Mishra.
She further noted, “The pandemic presented an excellent opportunity for brands to demonstrate agility by pivoting to new services, as exemplified by Zomato/Swiggy's entry into grocery delivery and Amazon Prime Video's introduction of Watch Party. Thus, brands should empower GenZs to be part of their progression by being dynamic and agile.”
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AI is the biggest emerging trend in SAAS: Vivek Bhargava, ProfitWheel
The Co-founder of ProfitWheel Bhargava discusses how AI and Generative AI have emerged as big game changers in the consumer experience and marketing segment
By Kanchan Srivastava | Mar 21, 2023 8:40 AM | 2 min read
After working in digital marketing for over two decades, Vivek Bhargava, head of Dentsu Performance Group, moved on to the software space with his new venture ProfitWheel in 2021.
ProfitWheel is a global consumer intelligence SaaS start-up, co-founded by Bhargava, Gautam Mehra and Aman Khanna.
For Bhargava, making such switches is nothing new. He himself comes from a family that’s in the business of selling the musical instrument sitar. He decided to do something new and set up a digital marketing company in 1997, at a time when most people neither had the internet nor had heard of digital marketing.
In less than two years’ time, ProfitWheel bagged several large enterprises as clients, including Fortune 500 companies and has been helping them take decisions on media buying, content creation, creative strategy, influencer selection, etcetera, globally with the help of actionable insights on their first-party data.
In an interview with exchange4media, Bhargava shares his learnings from his early entrepreneurship days and experiences he gained at dentsu group and how it all helped him get quick success at the new venture.
Calling Artificial Intelligence (AI) the “biggest emerging trend in SAAS,” Bhargava highlighted how it is the core of his platform that taps into a multi-modal AI integrated with ChatGPT, Bard and Cohere among others. “Generative AI is re-setting the entire world. With it, we have mapped 1.2 million interests of Facebook to 200,000 categories on YouTube further to 1,20,000 interests on Programmatic to further 17,000 interests on TikTok and 600 on Snap.”
He added, “We have also mapped audiences across the globe, so those with interested in cricket in India will be interested in formula one in the UAE, while a similar psychographic audience will have interest in ice hockey in Canada and soccer in the UK.”
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Marketers need to build effective, full-funnel advertising propositions: Taranjeet Singh
The Managing Director, South APAC, at Criteo talks to e4m about the company’s growth from a single solution company to a multi-product commerce media platform
By Shantanu David | Mar 21, 2023 8:35 AM | 3 min read
While it’s become almost trite to say that India’s digital landscape is growing by leaps and bounds, the daily uptick in consumer numbers is what is keeping brands, agencies, analysts and sundry excited about the topic.
And one of the key driving forces of this growth is the increasing ease of access to video.
In India, the potential of video advertising is tremendous, with a predicted 512 million viewers by 2025, even as other reports pitch for even larger numbers.
Keeping pace with the evolving market has been vital to advertising brands across the spectrum. Remarking on the same, Taranjeet Singh, Managing Director, South APAC at Criteo, points out that it has evolved from being a single solution company to a multi-product commerce media platform.
According to a recent report by Redsteer Strategy Consultants, Indians spend an enormous amount of time on their smartphones, with an average of 7.3 hours per day spent on online messaging, social media, YouTube streaming, OTT content, and short-form video.
With more time spent online combined with the increased bandwidth and low latency provided by 5G, this combination of factors further enables businesses to create real-time communication and provide personalized customer support by delivering rich media experiences.
And Singh says that as more and more Indians turn to digital channels for their shopping needs and entertainment, it is crucial for brands and retailers to have a strong presence in various channels, including video and retail websites.
This means it is essential for marketers to build effective, full-funnel advertising propositions that enable them to engage with existing and potential customers at every shoppable moment and become part of the consumer's journey to build a presence, and achieve meaningful commerce goals.
Singh asserts that Criteo is committed to helping brands take advantage of this trend towards direct video advertising through their video advertising solution, which offers access to over 600 premium video publishers and unique audience metrics that can drive measurable outcomes for brands.
“Our combined video advertising and performance solutions cover multiple touch points and leverage audience-first ad solutions, including in-stream and out-stream video, mobile app, web traffic, consideration, and retargeting,” he says, adding that by partnering with Criteo, brands can increase their awareness, drive traffic, and optimize their sales and marketing goals.
“Additionally, our recent acquisition of Brandcrush, an Australia-based company whose platform enables the buying and selling of omnichannel retail media, including offline media channels, allows Criteo to provide a holistic omnichannel monetization solution for retailers,” he says.
Given the growing pivot towards Artificial Intelligence and Machine Learning, Singh says his company’s core technology has always been the Criteo AI Engine.
“Criteo’s advanced AI algorithms analyse data in real-time from the Criteo Shopper Graph, with insights from 750 million daily active users, and 4 billion product SKUs and 3,500 product categories,” he says, concluding, as this engine learns from real shopper behaviours, it continuously adapts to brands campaign objectives and powers predictive bidding, product recommendations, dynamic creative optimization (DCO+), and look alike finders.
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Amazon to buy MX Player?
Sources claim that the tech giant is in advanced talks with Times Internet to buy the latter's OTT platform
By exchange4media Staff | Mar 20, 2023 11:54 AM | 2 min read
Amazon is believed to be in advanced talks to acquire Times Internet-owned OTT platform MX Player, sources have told exchange4media.
In 2018, Times Internet surprised the world by acquiring MX Player for an estimated sum of $140 million or Rs 1,000 crore then.
The move was considered a bold move by the Times group, especially since the company’s previous OTT venture — BoxTV.com — had shut down in 2016 only, after four years of existence.
Four years down the line, Times Internet, the digital arm of media conglomerate Times Group, has decided to sell MX Player, one of the largest OTT platforms in India.
“Amazon is set to acquire MX Player to expand its entertainment business in one of largest consumer markets in the world. The deal will be closed soon”, sources privy to the matter said.
The US-based giant has reportedly roped in a leading consulting firm for due diligence over the deal.
“The deal size is roughly $100 million, $40 million less than what Times Internet invested in Mx Player at the time of acquisition,” sources claimed.
e4m can’t independently verify the claims.
Times Internet did not respond to a questionnaire sent to them in this regard early this week despite repeated requests. “We have no comments to offer,” the group representatives told e4m. Amazon's response is awaited.
If the deal really goes through, then Amazon Prime Video is set to grow four times bigger in terms of consumer acquisition. Amazon has an estimated 28 million users in India while MX Player has nearly 78 million users.
This high-profile deal has the potential to make India’s OTT war intense, especially since the Reliance group has thrown its hat in the game. Viacom18 has played a big gambit by streaming IPL for free over JioCinema for users across all telecom networks in a bid to acquire a maximum number of users, even as it has shelled out Rs 24,000 crore to acquire IPL’s digital media rights for five years.
Incidentally, MX Player was ranked as the 3rd Most Downloaded OTT App Globally in 2022, in the State of Mobile 2023 report by Data.ai. In India, MX Player was the most downloaded app surpassing Hotstar, Zee 5, Jio TV and Jio Cinema.
MX Player launched as a video player on 18 July 2011 in Korea. In 2019, it was relaunched as an OTT platform with original programming.
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GPT-4: What the new AI tool can do for brands & marketers
In today’s e4m TechTalk, we explore the universe of GPT-4 and speak to experts how brands can make the best use of this new version
By Nilanjana Basu | Mar 20, 2023 8:32 AM | 6 min read
Open AI, the San Francisco-based company which has revolutionized the world of artificial intelligence with its AI-powered chatbot product, has now launched the latest iteration model of its GPT series, GPT-4. This opens a world full of new features for brands to use for innovative marketing and leverage it for other growth strategies. Experts from the tech and business field say GPT-4 can help in brand building, but surely with caution.
GPT-4 brings in newer features, such as being able to do creative and technical writing tasks, accepting images as inputs and generating captions, classifications, and analyses and handling long form content creation ranging over 25,000 words of text.
This version has already been incorporated by a bunch of companies including Duolingo for its new subscription-based platform called Duolingo Max, matchmaking application Keeper, virtual assistance app for the visually impaired called Be My Eyes and edu-tech firm Khan Academy. Microsoft’s Bing also confirmed the usage of GPT-4. The number of companies around the world that are partnering with Open AI for GPT-4 is continuously growing.
So, what is making brands jump on the bandwagon?
How can brands use GPT-4?
Niraj Ruparel, Head of Mobile & Emerging Tech - GroupM India Emerging Tech Lead - WPP India, shares, “As a language model, ChatGPT-4 could be used for a wide range of natural language processing tasks, such as text completion, translation, summarization, and question-answering. It could also be used in chatbots, virtual assistants, and other conversational AI applications to provide more accurate and natural responses to user queries.”
Kiran Capoor, Head of Technology of Schbang, says GPT-4 can be a good tool to help brands personalize and target their audience better. "GPT-4 can be used by brands to analyze and understand customer preferences and trends, creating content that resonates with the target audience, ultimately driving more traffic and engagement. Alternatively, if you run an e-commerce business, you could leverage GPT-4 to improve customer experience and satisfaction by analyzing customer feedback and reviews, identifying common issues and pain points that customers face when interacting with the business. AI can be used in marketing to provide personalized user experiences, product recommendations based on a user's browsing history, conversational chatbots, predictive marketing analytics, "try-before-you-buy" models, and more."
Karan Taurani of Elara Capital says it’s still early days for marketers to use GPT-4, but once it kicks off, it should see a lot of ad spends. “I think it's still some time that they get into the advertising segment or the advertisement monetization model. I think this is more a user-led thing. If we look at social media also, initially, they started off with no ads, but then introduced ads five to six years later. So, the point is that I think it's very early days to say in terms of how brands will leverage features of GPT-4 to make best use of it. But yeah, once the traffic of this kind of app increases, you will see advertising dollars flowing on them.”
Ashray Malhotra, CEO and co-founder of Rephrase.ai believes the broader knowledge base of GPT-4 can be a game changer in customer service and content creation. “Brands can leverage the features of GPT-4 to create engaging and personalized content for their customers, such as product descriptions, reviews, ads, social media posts, emails, chatbots and more. GPT-4 has a broader general knowledge and deeper understanding of various domains than previous models, which means it can generate more relevant and accurate content for different audiences and contexts. GPT-4 is also multilingual and can answer multiple-choice questions with high accuracy across 26 languages, which opens up new possibilities for global marketing and customer service.”
Hareesh Tibrewala, joint CEO Mirum India, says, "Brands can use it for generating campaign ideas as well as the actual content for the campaigns. Right now simple things like generating multiple subject lines keeping best practices in mind for a email campaign or key word stuffed article for SEO purposes to more complex things like writing video scripts keeping in mind specific brand tonality and requirements. I think it has multiple possible applications. "
Industries which can benefit the most from GPT-4
Ashray Malhotra says that any industry that relies on communication and creativity can benefit from this AI tool. “For example, e-commerce, media, entertainment, education, healthcare, finance and more. GPT-4 can help these industries create more engaging and personalized experiences for their customers, as well as streamline their workflows and reduce costs.”
Karan Taurani sees the consumer industry as a big market for GPT-4. “I think in terms of industry, if you look at majorly in terms of AI, a lot of the consumer industries will actually see a big boost. Consumer traditional companies like Auto, FMCG, these are verticals which are very large in terms of size and scale.”
Treading steadily but cautiously towards AI
Experts believe AI should be a go to for every brand but they need to use it responsibly.
Niraj Ruparel gives examples of how his team has made a bunch of successful uses of AI but he says marketers and brands need to be aware of Responsible AI. “My teams have built multiple solves for brands using the power of AI. WPP teams helped create Young Sachin, Bret Lee Thumbs up Stumpcam wicket se cricket dekho, SRK not just a Cadbury ad among other things. While industry standards in this area are still maturing, there is widespread recognition that product architecture and development should be based on appropriate ethics. Responsible AI considers the technology’s impact not only on users but on the broader world, ensuring that its usage is fair and responsible.”
Ashray Malhotra, who works on AI on a regular basis, says brands need to be mindful of the way they are using it. “I think brands need to look at new AI features as opportunities to innovate and differentiate themselves from their competitors. AI is not a threat but a partner that can help brands achieve their goals faster and better. However, brands also need to be mindful of the ethical and social implications of using AI tools like GPT-4. They need to ensure that they use them responsibly and transparently, respecting the privacy and preferences of their customers.”
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